Projects| Monochrome, 2020 - 2024 | | Magdalena Drawings, 2022 - 2023 | | Milton's Bar (video document, No Man's land, Santa Fe, NM, 2023) | | Misery Repair Shoppe (Artist Abbey, T or C, NM, 2023) | | Quaternary Helix, 2023 | | Twenty-Four Balls and The Truth (Casa Chuck, San Antonio, TX, 2023) | | Milton's Bar (video document, kind of a small array, Magdalena, NM, 2023) | | Milton's Bar (5th and J, Lubbock, TX, 2023) | | Steam (ripple effect, Santa Fe, 2022) | | Steam (audio) | | Altered States (Part Seven, 2020) | | Misery Repair Shoppe (Silos on Sawyer, Houston, TX, 2018) | | Misery Repair Shoppe (audio, Silos on Sawyer, Houston, TX, 2018) | | Altered States (Part Four, 2018) | | Altered States Catalogue (Ruiz-Healy Art) | | saarinens' Animal album cover commission, 2017 | | Your Nowhere Is My Somewhere. See You There. (Bale Creek Allen Gallery, Austin, TX, 2017) | | Splendora Drawings, 2016 | | Close Knit (Patent Pending, 5th and J, Lubbock, TX, 2015) | | Vienna Drawings, 2016 | | Steam (ArtLab, San Antonio, TX, 2015) | | Sótano de las Golondrinas, 2014 | | Steam (audio) | | Misery Repair Shoppe (Slaton, TX, 2012) | | Double Slit (I and I), 2011 | | A Little Known Fact About The Oregon Trail (Invading Spaces, San Antonio, TX, 2010) | | Casual Observer / Causal Observer (Blue Star Contemporary, 2010) | | Steam (Gallery Diet, Miami, 2009) | | Casual Observer / Causal Observer (Walley Films video document) | | 2010: Year of The Hobby Horse | | Cat Tois (Three Walls, San Antonio, TX, 2010) | | A World Is A World (for Doug Sahm) (San Antiono, TX, 2009) | | If (No Zoning, Contemporary Arts Museum, Houston, TX, 2009) | | All Good Children (Gallery 68, Austin, 2008) | | Misery Repair Shoppe (Chalk It Up, Houston St. San Antonio, TX, 2005) | | Book of The Dead (Artpace Residency, San Antonio, TX, 2005) | | Flaternite (Gallery Sonja Roesch, Houston, 2005) | | Flaternite (Finesilver Gallery, San Antonio, TX, 2004) | | Little Green (Frsh Up Club, Austin, TX, 2004) | | Son of Samson (Cactus Bra, San Antoniom TX, 2003) | | Yesferatu (Gallery Sonja Roesch, Houston, 2002) | | Beyond post To Kellogg's (McNay Art Museum, 2002) | | Steam (Shores Space, Amsterdam, 2002) | | Dunk (Art in The Hood, Primera Iglesia Buatista Mexicana, San Antonio, TX, 2001) | | Outline (The Hudson (Show) Room, Artpace, San Antonio, TX, 2001) | | Green Glasses (Angstrom Gallery, Dallas, TX, 2001) | | Cropduster (James Gallery, Houston, TX, 2001) | | Mercury Poisoning (Finesilver Gallery, San Antonio, TX, 2000) | | Tea For One (Three Walls, San Antonio, TX, 2000) | | Tea For One (2000) | | Jack (James Gallery, Houston, TX, 2000) | | The Incredible Shrinking Man (The Project Room, San Antonio, TX, 1999) | | Neil Diamond's Greatest Hits (Sala Diaz, San Antonio, TX, 1998) | | Suede Sandbox (DiverseWorks subspace, Houston, TX, 1998) | | Gloville (Casino Luxembourg, 1998) | | Representative Material (RRose Amarillo, San Antonio, TX, 1997) | | Hand Not Hand (The Hudson (Show) Room, Artpace, San Antonio, TX, 1996) | | How Big Is Your Love?, 1992 | | Without Time or Might (Nicolaysen Art Museum, Casper, WY, 1992) | | Subjecting The Shed To A Little Light (Cultural Center, Temple, TX, 1989) | | Garage Optimism (Patrick Gallery, Austin, TX, 1987) | | June Rise Ramble (Waterworks Art Museum, Miles City, Montana, 1987) | | Hills Snyder: Constructions and Drawings (Tyler Museum of Art, 1985) | | Working As If The World Had Ended (YWCA Community Center, Lubbock, TX, 1974) | | early seventies paintings & drawings | | Book of The Dead Artpace Link |
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